The Warmth That Binds Us – Concept Paper
Hojin Kang
Installation Setup Draft, using Dall-E, 2024
Visual Sketch, Seek Thermal Compact Pro + iphone 12 Pro, 2024
What is the concept?
What binds us to one another?
In the project The Warmth That Binds Us, I continue my longstanding exploration of the theme of thermal imagery.
I envision a large-scale media installation where the concept of "warmth" becomes both visually and physically tangible.
At the center of the project is a thermal video, recorded over several months using various smartphone-compatible thermal cameras. These videos capture moments with my 3-year-old son, my partner, and my Korean guest worker parents—walking along the beach, cuddling on the couch, or cooking dinner in the kitchen.
Concept Sketch, comparing the different aesthetics of the techniques, 2024
Thermal Imaging Tests (left), Opaque Materials (right)
Technical Setup Sketch, 2024
How will the project be technically realized?
Thermal cameras detect infrared radiation emitted by our bodies, regardless of gender, skin color, or creed. This technology reveals an intimate, invisible layer of our deepest connections to one another.
The thermal videos will be projected into the space and combined with translucent materials, transforming clear contours into abstract, blurred colors and shapes. Simultaneously, infrared heating blankets will be used to provide physical warmth for the visitors.
Thermal Imaging Tests (left), Prototyping with Laptop Display and opaque materials (right)
Prototyping with Beamer Projection and opaque materials (left and right)
Why should the project be realized?
"That physical and emotional warmth are closely linked in the brain may, according to Williams and Bargh (Science, Vol. 322, p. 606, 2008), stem from positive experiences in infancy. A mother not only keeps her child warm but also provides a sense of safety and trust. 'The feeling of warmth evoked by a hot cup of coffee or a warm bath may activate these memories in the brain,' the authors write in Science." — Tina Baier (2010), Süddeutsche Zeitung
In a time of political division, cultural fragmentation, and technological acceleration, this project critically examines human coexistence in a (post-)migrant society. It seeks to foster transcultural reflection and transgenerational healing—a search for interpersonal warmth and connection.
Hojin Kang (*1986, lives and works in Berlin) is a german-korean conceptual artist and designer. In his practice he deals with our presence in a (post-)digital era, where technological acceleration is juxtaposed with our physicality and mental state.
His artworks integrate interactive technologies with traditional rituals and artifacts, drawing upon the Confucian culture and Buddhist philosophies inherent in his Korean heritage.
With 3D-printed prayer beads, AR sculptures and breath-controlled light installations, he brings the physical experience of the viewer to the fore, enabling them to become an integral part of the work.
Thus in a time of political division and cultural fragmentation, Hojin Kang's works deeply explore the transgenerational and immaterial qualities that universally interconnect us as human beings.
His work has been exhibited at Stockwerk Projekt Weimar (2024), Kassel Dokfest Lounge (2023), Stadtgalerie Saarbrücken (2022) and Kunstverein Ulm (2018), among others. He collaborates closely with curators, designers, artists, programmers and craftsmen in his projects.
The Warmth That Binds Us – Concept Paper
Hojin Kang
Installation Setup Draft, using Dall-E, 2024
Visual Sketch, Seek Thermal Compact Pro + iphone 12 Pro, 2024
What is the concept?
What binds us to one another?
In the project The Warmth That Binds Us, I continue my longstanding exploration of the theme of thermal imagery.
I envision a large-scale media installation where the concept of "warmth" becomes both visually and physically tangible.
At the center of the project is a thermal video, recorded over several months using various smartphone-compatible thermal cameras. These videos capture moments with my 3-year-old son, my partner, and my Korean guest worker parents—walking along the beach, cuddling on the couch, or cooking dinner in the kitchen.
Concept Sketch, comparing the different aesthetics of the techniques, 2024
Thermal Imaging Tests (left), Opaque Materials (right)
Technical Setup Sketch, 2024
How will the project be technically realized?
Thermal cameras detect infrared radiation emitted by our bodies, regardless of gender, skin color, or creed. This technology reveals an intimate, invisible layer of our deepest connections to one another.
The thermal videos will be projected into the space and combined with translucent materials, transforming clear contours into abstract, blurred colors and shapes. Simultaneously, infrared heating blankets will be used to provide physical warmth for the visitors.
Thermal Imaging Tests (left), Prototyping with Laptop Display and opaque materials (right)
Why should the project be realized?
"That physical and emotional warmth are closely linked in the brain may, according to Williams and Bargh (Science, Vol. 322, p. 606, 2008), stem from positive experiences in infancy. A mother not only keeps her child warm but also provides a sense of safety and trust. 'The feeling of warmth evoked by a hot cup of coffee or a warm bath may activate these memories in the brain,' the authors write in Science." — Tina Baier (2010), Süddeutsche Zeitung
In a time of political division, cultural fragmentation, and technological acceleration, this project critically examines human coexistence in a (post-)migrant society. It seeks to foster transcultural reflection and transgenerational healing—a search for interpersonal warmth and connection.
Hojin Kang (*1986, lives and works in Berlin) is a german-korean conceptual artist and designer. In his practice he deals with our presence in a (post-)digital era, where technological acceleration is juxtaposed with our physicality and mental state.
His artworks integrate interactive technologies with traditional rituals and artifacts, drawing upon the Confucian culture and Buddhist philosophies inherent in his Korean heritage.
With 3D-printed prayer beads, AR sculptures and breath-controlled light installations, he brings the physical experience of the viewer to the fore, enabling them to become an integral part of the work.
Thus in a time of political division and cultural fragmentation, Hojin Kang's works deeply explore the transgenerational and immaterial qualities that universally interconnect us as human beings.
His work has been exhibited at Stockwerk Projekt Weimar (2024), Kassel Dokfest Lounge (2023), Stadtgalerie Saarbrücken (2022) and Kunstverein Ulm (2018), among others. He collaborates closely with curators, designers, artists, programmers and craftsmen in his projects.